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Access Bangkok Art Faire | Booth A26 CHENG Nung-H

Access Bangkok Art Faire | Booth A26

CHENG Nung-Hsuan was born in Taipei in 1983 and graduated from the Taipei National University of Arts in 2006. Recent works encompass a variety of themes including landscapes, figures, plants and animals, exploring the potential for painting to self-narrate through the use of fluid shapes and color combinations in an expressive scene, as well as inspire new interpretations through the viewer’s personal experiences, inviting them to engage with the artwork on a deeper level. His works have been exhibited in Eslite Gallery(2023), AKI Gallery, Taipei (2020), Instinc Art Space, Singapore (2019), Eslite Gallery, Taipei (2019). His works had awarded Kaohsiung Awards, Judges’ Award(2006), New Perspective Art in Taiwan, Judges’ Award(2005), Call for Young Artists, Judges’ Award(2005).

鄭農軒（CHENG Nung-Hsuan），1983 年生於台北，畢業於國立台北藝術大學美術系。早年作品以抹除、塗改的人像繪畫,作出對於日常社交關係的自我情感詮釋。近期創作透過古典繪畫在藝術史各時期中豎立的敘事方法與造型模式,加以拼湊、模擬、重塑，製造猶如觀看舞台劇般的奇幻感，透過繪畫自體的述說，來尋找觀者與作品間有形與無形的距離，以及台灣因為歷史時空等因素,在接受西方藝術文明的間接途徑中,所產生的落差與不連續狀態。
2008 年於台北朝代藝術畫廊首次舉辦「如此這般的日子」個展,其作品曾獲得台灣美術新貌獎、高雄獎、九十四年青年藝術作品徵件,並收藏於國立台灣美術館。

近年作品展出於:台北藝術博覽會、新加坡 Instinc Art Space、台北誠品畫廊、也趣藝廊。

Atom Pavarit @atom.pavarit
Butsapasila Wanjing @_butsapa_
Cheng Nung-Hsuan @chengnunghsuan

@acbk.artfair @artue.io @artmeetslife_kr
December 5-7, 2024
11:00 - 19:00
ICONSIAM, 8F-The Pinnacle Hall
-
#accessbangkok
#atompavarit
#ButsapasilaWanjing
#ChengNungHsuan

Access Bangkok Art Faire | Booth A26 Butsapasila

Access Bangkok Art Faire | Booth A26

Butsapasila Wanjing (b. 2000, Bangkok, Thailand) whose work delves into the historical and cultural landscapes of Thailand, addressing political, social, and environmental themes.

Butsapasila explores the process of creating collective memories through informal
storytelling across diverse contexts. This includes forms such as folk legends, historical fiction, mystical beliefs passed down orally, as well as conspiracy theories circulating on blogs, alongside personal memories from his own youth.

Much of his work delves into the historical memory of the Thai state, with a particular focus
on the northern region. His research examines the transformative period between the colonial era and the Cold War, a time when perceptions of space were shifting, laying the foundation for contemporary and future worldviews.

Butsapasila Wanjing (b. 2000, Bangkok, Thailand)是一位致力於探索泰國歷史與文化景觀的藝術家，作品聚焦於政治、社會與環境議題。

Butsapasila 透過多樣化的情境，以非正式敘事的方式探討集體記憶的創造過程，包括民間傳說、歷史小說、口耳相傳的神秘信仰，以及在部落格中流傳的陰謀論，並融入了他自己童年與青少年時期的個人記憶。
他的許多作品深入研究泰國國家的歷史記憶，特別聚焦於北部地區。他的研究關注殖民時期與冷戰之間的轉型時期，這是一段空間認知逐漸變革的歷史階段，為當代與未來的世界觀奠定了基礎。

Atom Pavarit @atom.pavarit
Butsapasila Wanjing @_butsapa_
Cheng Nung-Hsuan @chengnunghsuan

@acbk.artfair @artue.io @artmeetslife_kr
December 5-7, 2024
11:00 - 19:00
ICONSIAM, 8F-The Pinnacle Hall
-
#accessbangkok
#atompavarit
#ButsapasilaWanjing
#ChengNungHsuan

Access Bangkok Art Fair 2024 | Booth A26 Atom Pav

Access Bangkok Art Fair 2024 | Booth A26

Atom Pavarit (b. 2000, Bangkok, Thailand) graduated with a Bachelor’s degree in Painting from the Faculty of Painting Sculpture and Graphic Arts at Silpakorn University in 2022. Atom’s work delves into the collective memory of historical events and explores the profound relationship between humans and nature. He believes in the interconnectedness of events and their enduring impact on society.

Atom presents reinterpretations of historical events within contemporary contexts through experimental painting. His work was prominently featured at ‘Save Point’ at Kinjai Contemporary in 2022, where he introduced new perspectives on historical narratives. Continuing his exploration, Atom has challenged conventional views of collective memory by placing historical events in new cultural frameworks, as showcased in the exhibitions ‘AMBIVALOVE’ at Alte Handelsschule and ‘D.E.T’ at Pilotenkeuche during his residency in Germany in 2023.

Atom Pavarit (b. 2000, Bangkok, Thailand)於2022年畢業於泰國法政大學繪畫、雕塑與版畫藝術學院，獲得繪畫學士學位。Atom的作品深入探討歷史事件的集體記憶，並探索人類與自然之間深刻的關係。他相信事件之間的相互關聯性及其對社會的持久影響。

Atom通過實驗性繪畫將歷史事件重新詮釋於當代語境中。他的作品曾於2022年在Kinjai Contemporary舉辦的展覽《Save Point》中展出，該展覽為歷史敘事提供了新的視角。延續這一探索，Atom挑戰了對集體記憶的傳統觀念，通過將歷史事件置於新的文化框架中進行詮釋，這一理念在他2023年於德國參與駐留期間舉辦的展覽《AMBIVALOVE》和《D.E.T》中得到充分體現。

Atom Pavarit @atom.pavarit
Butsapasila Wanjing @_butsapa_
Cheng Nung-Hsuan @chengnunghsuan

@acbk.artfair @artue.io @artmeetslife_kr

December 5-7, 2024
11:00 - 19:00
ICONSIAM, 8F-The Pinnacle Hall
-
#accessbangkok
#atompavarit
#ButsapasilaWanjing
#ChengNungHsuan

Artemin Select Group Show Vol. 004 | Déjà vu Th

Artemin Select Group Show Vol. 004 | Déjà vu

The Déjà vu Group Show, featuring the distinctive works of Brittany Fanning, Evan Trine, and Mona Broschár, is currently on view.

Déjà vu 群展，呈現 Brittany Fanning、Evan Trine 和 Mona Broschár 三位藝術家的精彩作品，現正展出中。

Evan Trine @evanpaultrine
Brittany Fanning @brittanynfanning
Mona Broschár @monabroschar

Photographer : @erniedon

Dates : 2024.Nov.02 ⭢ Dec.07
Opening Reception：2024.Nov.02 | 15：00
Venue : Artemin Gallery (111 台北市士林區基河路251巷32號1樓)
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#artemingallery
#EvanTrine
#BrittanyFanning
#MonaBroschár
#Déjàvu
#taipeigallery
#taiwan

Artemin Select Group Show Vol. 004 | Déjà vu Br

Artemin Select Group Show Vol. 004 | Déjà vu

Brittany Fanning (b. 1991, USA) employs lines and pops of striking red to present figures and objects, suggesting a subtle resemblance to the style of Matisse. More significantly, Fanning is skilled at creating a sense of space and immersive atmosphere. While much of her work features architectural or interior layouts, the three pieces in this exhibition focus on botanical life, reminiscent of a rainforest-like ecosystem with overlapping layers. This shift in subject matter is by no means a challenge for this talented artist. Her high-saturation palette and intricate compositions convey the lively spirit of these plants, subtly capturing the immersive quality of Californian sunlight. The works depict only parts of the figures, avoiding facial expressions—a characteristic approach in her practice that lends the pieces a sense of mystery, inviting viewers to expand the narrative beyond the canvas.

Brittany Fanning（1991年生於美國）用以呈現人物及物件的線條，以及意在點綴卻十分搶眼的紅，似乎與馬諦斯的作品頗有相似之處。更重要的是，Fanning 擅長營造空間感及沉浸式的氛圍，其多數作品以建築物及室內格局來呈現空間的趣味，而此次展出的三件作品則是描繪多種植物，彷彿具體而微的雨林生態系，層層疊疊，但這對這位才華洋溢的藝術家而言，絕非重大的挑戰，她依然以豔而不俗的高彩度及繁而不付的構圖，畫下充滿活力的植物，藉此說明加州陽光是這麼地令人沉浸其中。三件作品均只呈現人物的部分，迴避臉部表情，這正是Fanning一貫的作風，聲東擊西的暗示反而成就作品的神秘氣氛，讓觀眾們發揮想像力將敘事延伸到畫面之外。

Evan Trine
Brittany Fanning @brittanynfanning
Mona Broschár

Photographer : @erniedon

Dates : 2024.Nov.02 ⭢ Dec.07
Opening Reception：2024.Nov.02 | 15：00
Venue : Artemin Gallery (111 台北市士林區基河路251巷32號1樓)
-
#artemingallery
#EvanTrine
#BrittanyFanning
#MonaBroschár
#Déjàvu
#taipeigallery
#taiwan