Art OnO Seoul 2026

[ Art Fairs ] Artists: Tung-Lung Wu、Yan-Yi Tseng、Crystal Lupa、Yuri Zupancic

We are excited to present Tung-Lung Wu, Yan-Yi Tseng, Crystal Lupa, and Yuri Zupancic at Art OnO Seoul 2026.

Tung-Lung Wu

Viewing Tung-Lung Wu’s work (b. 1976) always evokes a sense of uncertainty; it is difficult for viewers to interpret his pieces from a singular aesthetic perspective, leaving them to float within the indeterminacy of his work. Upon first encountering Wu’s pieces, with their minimalist, serene forms and color schemes, viewers are easily inclined toward a purely formal, sensorial reading. However, when attempting a deeper understanding, the work gradually reveals its inherent interpretive ambiguity. Visually, Tung-Lung Wu’s work does not present emotive lines or expressive forms of bodily movement and splatter, but rather flat, near-hard-edged rational color compositions that seem to embody a spiritual aesthetic of formal construction. Yet the images, possessing certain symbolic tendencies, intermittently shift the viewer from sensation toward contemplation of symbolic meaning—is it text? Ribbons? Or perhaps some kind of plant? The sensorial experience of form becomes fragmented by symbolic significance.

Yan-Yi Tseng

Yan-Yi Tseng (b. 1991) often uses the human body, animals, and plants as subjects for sculptural creations, presenting lines imbued with soul, philosophical contemplation, and vitality in her works. Through these pieces, she hopes to convey tranquility and spiritual power to others.
“All the lines of mountains, rivers, and earth can be found within the body.” This was the inspiration behind Yan-Yi’s naming of Bodyisland—after the creator deity’s death, their body transformed into mountains, rivers, and islands, nurturing all living things. We who grow upon these islands are the mountains and islands upon the mountain island.

Crystal Lupa

Lupa was born in California in 1989 and received her BA in Womenswear from Central Saint Martins, University of the Arts London in 2012. She is currently based in Taipei.
Her practice revolves around a resonance from afar and a simulation of origins. Through scribbling, traveling, and recording dreams, she gathers material and allows it to incubate over time, gradually forming her own totemic language and narrative structure. For her, art is a path of exploration and healing.
Her work often constructs surreal and symbolic sites where lived experiences and dreams are transformed into scenes. Figures emerge through sensuous, primal contours, tracing psychological and archetypal states. Compositions frequently carry a quiet stage-like presence, inviting an exchange between image and viewer.
Her practice spans a range of media, including oil painting, ink, ceramic sculpture, weaving, dyeing, and printmaking. While materials shift across projects, a certain expressive continuity persists within the fluidity of form. A subtle atmosphere and trajectory unfold through her work, moving between lived experience, imagination, and inner landscapes.

Yuri Zupancic

Born in 1980, Yuri Zupancic is an American artist living and working in Paris, France. He is best known for miniature paintings made directly on microchips—objects that crystallize the ambitions and paradoxes of contemporary technological progress. Approaching technology as a site of inquiry rather than critique, he treats the microchip as both material and metaphor.
Working on a tiny scale, often painting with a single eyelash, Zupancic’s practice resists the flashy, maximalist aesthetics of consumer culture while echoing the relentless miniaturization of our most powerful and coveted devices. His work is driven by a fascination with the esoteric elegance of circuitry—forms typically hidden from view. Painting on the very components that transmit and store private data, emotions, and memories, he gives visual form to a felt digital presence.
Blending classical painting techniques with digital processes, his works inhabit a liminal space between the tactile and the virtual. Alongside these micro-scale paintings, Zupancic develops hybrid works combining painting, sculpture, Photoshop, and video mapping, extending his investigation into accelerating technological evolution as a force intimately shaping contemporary life.

Art OnO Seoul 2026 | Booth 114

Dates: 2026 April 02 ⭢ April 05

Venue: SETEC, Seoul (3104 Nambusunhwan-ro, Gangnam-gu, Seoul)